'Funny Valentine' drawing from beat generation ballads sequence

1969 DAN DARE'S FIRST DEATH


Forty years before beat-lit supergroup Moorcock, Sinclair & Moore played standing-room-only London concert to new audience young psychogeographers - Michael Moorcock's free-to-use pop anti-hero character 'Jerry Cornelius' appeared as comic-strip in International Times (it or IT) 1969. Archive gives access to all IT's 'Cornelius' comic serials from hippie era.

Moorcock-edited New Worlds magazine remains little known driver '60's cultural revolutions East and West depicted in fiction, poetry and graphics. 'Jerry Cornelius' was visually represented by Malcolm Dean in black & white lo-fi. The it strip, initially scripted by Moorcock and drawn by Dean in his individualized style coincided with final issues of Marcus Morris' exemplar full-colour Eagle comic.


Besides, 'Jerry Cornelius cartoon' wasn't comparable with other juvenile adventure or funny weeklies, US comic books, nor syndicated daily newspaper cartoons and serials.

Jeff Nuttall's and Mal Dean's visual poetics became part of newer narrative form (commercially marketed twenty years later as 'graphic novel') .

Graham Keen, member of it's editorial collective heard voice of Blake with idea for comic book imprint Innocence and Experience. As with poetic Children of Albion - comics for the 'Underground' in Britain emerged.

Word got out metropolitan scene paperback writer and cut-up practitioner William S. Burroughs - My Own Mag, International Times contributor, Underground Press supporter/subscriber, London resident - sought visual collaborators for new and perhaps older work.

Invisible generation British illustrators/comic artists excited.

Five years later Allen Ginsberg figured Burroughs needed superhero rescue from London. Hippie generation poet considered psychogeographic capital of Blighty may have done aging beat writer's head in.

from beat generation ballads sequence

SUNFLOWER SUTRA

Beat generation became invisible generation merry old England 1966.

Bob Dylan played Manchester Free Trade Hall looking like poet John Cooper Clarke 1979. Donovan have-you-ever-tried-to-be-like-Bob Dylan-1965 closed '66 with Sunshine Superman.

Beatles produced Revolver. Paul McCartney helped start English underground paper International Times (it or IT). This recently completed internet archive is remarkable catalogue counterculture activity UK 1966-1986, documenting hippie & punk eras up to 1980s absolute beginners beat surrender, plus one-off anarchist anti-Tory shout 1994.

BEAT SURRENDER REMEMBERING JEFF NUTTALL

Jeff Nuttall died January 2004. Through work in 1960s International Times (it or IT) and writers forum press - visual, verbal, c(art)oon, zine collapsed in singular form. His pioneering Physiodelics, My Own Mag, Oscar Christ and the Immaculate Conception often came from different beat inspirations & source materials to North American underground comix with origins in US pulps, tijuana bibles (8-page sex cartoons), sick humor and horror comics.

Nuttall's poetry and prose fiction wasn't populist. But as broadsheet critic in emerging multicultural poetry scene he produced puff-friendly observations for poets' work including a young Bill Griffiths.

Nuttall's urgent spidery style of drawing was conventional in terms of technique. Yet every scratch of Jeff's pen and splodge of ink seemed to represent paraliterary challenge to text-heavy editorial regimes determined to edit out marks interfering, mocking, obscuring, or not doing job in illustrating body verbal.

Bob Cobbing's writers forum published last of Nuttall's poetics supper moves unlight, viper along with Jeff's own chapbook compilation of 1960s reprints (image above) in March 2002.

Jeff Nuttall enjoyed parallel careers as teacher in secondary modern and art school education, and as actor in several tv sit-coms and films. As well as a definitive Friar Tuck he played Dr Mikhail Arkov in James Bond movie The World Is Not Enough. He plays dead for most of his time on screen. This is movie where Robbie Coltrane plays 'Zukovsky'. And as Jeff Hilson speculates - a Nuttall suggestion to script-doctoring team?

from beat generation ballads sequence

Shit dovie has been meroved by the ruse.

MADE IN HACKNEY: BEAT GENERATION HISTORY TUTORIAL


Cheap and nasty, poorly written, badly drawn and painted - US sex, crime, humor and horror comics published under English imprints were readily available to children from sweet shops in UK after the Second World War.

backside to Unwarned published in South London (undated)

A moral panic in both USA and Britain during the early 1950s resulted in censorship.

Humour Variety No. 171, Micron Publications, Sussex (undated post-decimal reprint)

A Christian vicar from Lancashire, Marcus Morris, divined to conceive Eagle for boys and Girl for girls.

Reverend Morris' publications were UK technological revolution in comics. Glossy gravure print demanded high quality colour and black & white artwork for mechanical reproduction. Produced new generation of commercial artists. Only best science fiction writers Arthur C Clarke scripting futurism from shores of Blighty.

In US, sex and crime stories horror, satirical humor - read by beats 'n' hipsters inspired Mad magazine and late 1960s 'Underground' comics or 'comix'.

Hackney-based publisher L Miller produced compilations of lost 1950s horror and humor. Still sold to children in 1969 English backstreet sweet shops when Children of Albion "Poetry of the 'Underground' in Britain" was available on high street paperback stalls and Britain's beat generation had Blake's eyes in their hands.

VOICE OF BLAKE

WB Yeats heard voice of Blake. Allen Ginsberg heard voice of Blake. Michael Horovitz heard voice of Blake.


No beat generation beginner Royston Ellis. Perhaps he never heard voice of Blake. Anselm Hollo, Lee Harwood and Tom Raworth though. One Barry Tebb contribution 'School Smell' and seven from Ted Milton including "Coleman's 'Tomorrow is the Question'".

THE OTHER SIDE OF THE FENCE

Mrs Butler will never be able to listen to Elvis Presley again as long as she lives.

Lisa and Peter Butler bought a subscription to Tears in the Fence from issue one. For twenty years (1984-2004) Tears was the only English-based publication (Dorset) Pete regularly read apart from Elvis Monthly (Nottingham). He also wrote for Elvis Monthly.

'The Forgotten Gems' © Peter Butler, Elvis Monthly No 296, September 1984

Apparently Pete had volunteered views of both himself and his missus on sexual identity and desire for the King as research project for Elvis Monthly. Google search (peter butler + elvis presley) lists this Cambridge University Press doc as abstract with html full version readable online (scroll Page 11 for Butler reference).



A hand-written letter from Tears to Peter, dated 16th October 1993, enclosing issue 11, is bursting with as much encouragement a combined reminder of subscription renewal and editorial rejection can muster -

Please keep sending your poems. One or two have come close to being accepted ... By the way, one day I would like to do a music issue and will contact you for a contribution ...


'Ballad of Lisa and Pete' from beat generation ballads sequence

ABSOLUTE BEGINNERS THE X-FACTORED MUSICAL

On contemporaneous google blog post (January 20), Chris Goode suggests Jeremy Hillary Boob Ph.D. may be unkind caricature of scholar and poet J.H. Prynne as featured in animation feature Yellow Submarine (1968). 'Die A Millionaire' pronounced DIAMONDS-IN-THE-AIR (Kitchen Poems, 1968) may have appealed to late Erich Segal scripting millionaire Beatles' movie after Lennon toon 'Lucy in the sky with ...' (1967).

If voice of English beat generation John Ono Lennon hadn't died a millionaire, and still be living today, he may be judge on American Idol or guest on X-Factor, even before Paul McCartney bantered with Simon Cowell...this is all a rather silly supposition really...dunno why I'm even going there...still...still...

"Now here's the thing" as they like to say on those tv shows - if the Fifties were chosen nostalgic decade for the Eighties (that first retro-conscious, postmodern, "ironic", back-to-the-future decade for baby boomers), and Sixties chosen decade for Blair's Britpopping Nineties, followed by Seventies nostalgia decade in reality-televised recessionary N00ughties - a suppositionary logic follows - Eighties will be recycled as nostalgic decade for Twentytens and -teens with ironic "1950s mini-decade" portal embedded.


Absolute Beginners will be staged as musical. Auditions on Graham Norton and Andrew Lloyd Webber-hosted reality tv show to find a Colin and Crepe Suzette. Winners congratulated by new Etonian political leaders of old Blighty. That's sci-fi like Torchwood that is.

ABSOLUTE BEGINNERS AT PRIMARY SOURCE

My First Days On Junk by William Lee, reprinted in The Beat Generation & The Angry Young Men, 1958.

Paperback writer bios from The Beat Generation & The Angry Young Men, Gene Feldman and Max Gartenberg, 1958.


An Absolute British Beginner at half a crown, 1959.

On the Road in England for a full crown, 1961.

slim volume of Penguin Modern Poets 5 available in blighty for three shillings and sixpence, 1963.


and long may they rot at three shillings and sixpence, 1966.

beat generation ballads hyperlink

all young poets were old once and wore dark romantic beards

Note: Original link to Liverpool's Mersey Beat page archive featuring young bearded Royston Ellis back in the day has been removed since original post. Another link here - far more knowing though.

New Church was little known although influential SF theory/poetry/fiction magazine network codpiece published "for the World's edification". Edited by Cyril Simsa with Patrick Ballin's idea for 'Bakunin tao' drawn by Debora as back-cover design ©1980.

WHEN THE SUN SHINES - A NEW OPTIMISM FOR THE 80's



Jamming! was edited by Anthony Fletcher from Crystal Palace when zine categories mashed into DIY publication after punk. Back in the day before Helen, Olly and Martin the Sound Man made SE19 postcode of comedy podcast with Answer Me This! Cate Blanchett-have-you-ever-tried to-be-like-Bob Dylan-1966-John Cooper Clarke-grandchild-of-albion stands up reading poems. He could be mistaken for a stand-up comic. That's modern comedy. That's poetry. That's 1980s, 1990s, n00ughties popular frontism.

Also back in the day N10 zinester Cyril Simsa generously provided Jamming! with cute strapline 'A new optimism for the '80's'. His duplicated radical artzine Amanita conflated zoology, science-fiction, music, poetry, anarchy and social theory.



Jamming! attracted a poetry scene in London, Leeds and Birmingham.



It got folks making poems public, through homemade books as much as performance, including myself and Peter Butler. Some of it was shit but some of it wasn't.

Among dozens of flyers circulating on the scene I passed this one on to Peter Butler when he moved to Denmark.



from beat generation ballads sequence

Next post I'll scan Patrick Ballin's graphic A Bakuninist Tao from back cover Cyril Simsa's New Church zine. It's cool.

WHEN THE RAIN COMES


Peter Butler once asked me what Beatles single I'd like best. I said 'Paperback Writer' coupled with 'Rain'. The 1980s re-release backside has moptops enclosed behind what looks like refugee cage in Patrick McGoohan - 'The Prisoner' episode. Or maybe they are looking in.

My exchange of correspondence with Peter Butler in Denmark began in early 1984 and ended just before he took his own life on May 24th 2004.

I have one fat off-red folder March 1984 - March 1986, one bulky off-green folder May 1990-December 1999, one slim yellow-manila folder January 2000-May 2004. Peter replaced his manual typewriter with an electric model in 1995. The font changes. I didn't keep everything and didn't keep copies of own responses which were generally handwritten.

Ever the skilled builder, Peter constructed a wooden gallows platform in the bedroom he shared with his wife Lisa, without any assistance from morbid internet sites. Peter abhorred computers and the internet - electronic soccer games really got his goat. Peter's self-exile had turned into a disturbing and disturbed psychogeographical state exile, which was terrifying to witness for his wife and young children as he began to grow a long beard. Final photographs of him from 2004 resemble Osama bin-Laden lookalike and I won't shame google-blog with any of the images.

Peter was promptly diagnosed with clinical depression and became erratic with prescribed medication. As difficult to negotiate way out of as prison in physical and political nation-, US line, or European Union member-states. He'd refused US working visa and maintenance employment solicited at Graceland for him by close US friend and Elvis contact Bill Burk, so Pete must have been in a very bad way.

I've kept most of Pete's letters (handwritten and typed), cuttings, photocopied pages from obscure US popular music zines he always enclosed in large mail-art envelopes with annotated cassettes of music compilations, including rare Presley recordings like hysterical laughing Elvis on take of 'Are You Lonesome Tonight'.

Pete believed he would one day sit at the right hand of the King. That's the King. Elvis Presley. Alongside John Ono Lennon, George Harrison and Billy Fury. In proximity of couple Holdsworthy cycle factory work colleagues, best mate Harry Sharp, and Blue Banton who died tragically young - and 'Busby's Babes' upstairs since 1958.

If that was Pete's final quest I hope it's true for him.

from beat generation ballads sequence.

SAY IT WITH FLOWERS

William Lee - dented suitcase and typewriter case tucked under his feet - leaned against the creaking headrest of an Earls Court hotel bed after interrogation by London airport immigration officials. Lee turned dial to switch on small black and white television set end of bed.

Lee the paperback writer was on the nod.

On England's only commercial tv channel Patrick McGoohan is Danger Man - secret agent John Drake. Drake flies to Switzerland in pursuit of missing agent Hagan. In plot freelance western agent Hagan is suspected of working for hostile mob. Changing his face and identity to avoid recognition whilst remaining bankrolled by west in Zürich.

Benway-character Dr Brajanska grafts the face of dead patient Wallace, murdered by hostile mob, onto Hagan at Brajanska's sinister Einbeck clinic. Wallace's remains are given to local undertaker, Buchler, whose premises are destroyed by suspicious fire, along with Buchler himself - whom mob believe burned to death.



Dark empty room in clinic. Close up of Lee. Shadows dancing in background. Disembodied voice on slowed-down tv tape. Could be male, female, non-human, half-man half-animal.

Paperback writer awakes from horrible dream. He is sitting in shabby London hotel room. Woman with vacuum cleaner is noisily moving chair around. She finds Lee huddled on chair covered with blankets.

MRS JOHNSON: Mister Lee. Mister Lee. Wake up, Mister Lee. It's gone midday. You said you were going to the British Museum, Mister Lee.

LEE: Yes, the matter of the Akkadian Deluge cuneiform. Tablet of Lapus Lazuli. Thank you, Missus Johnson.

MRS JOHNSON: It's cold and foggy out there. Be sure to wrap yourself up nicely, Mister Lee.

HOTEL CONCIERGE (enters room with rolled cigarette hanging from mouth): What time of day you call this, Lee? When you going to clear out (placing vase of plastic flowers on table). Ideal Home Exhibition coming soon. Bookings for respectable guests.

from beat generation ballads sequence

BUTLER'S MAIL ART

A Peter Butler Elvis and John Ono Lennon decorated envelope from Denmark (June 9, 2000)



on envelope backside 'the legend continues,' with added dedication to 'Britain's finest...'

...WHAT D' YA THINK YOU'RE GOING TO FIND UP THERE, EH? A NEW STRIKER FOR NEWCASTLE UNITED?




Peter Butler produced two homemade publications before self-exile in Denmark, Christmas 1983.

As well as Elvis, Pete was obsessed by Billy Fury, The Beatles (particularly John Lennon - John Ono Lennon as he referred to him on letter envelopes) and Cliff Richard as young British Elvis imitator. What Pete was most obsessed by was dead rock 'n' rollers. A morbid inspiration that drove some of his thinking and writing when down in the dumps.

The two stapled zines were a Billy Fury discography tribute, and hand-drawn entitled 'poems, thoughts and things'. Photocopying done at Adland, 32 High Street, South Norwood, London SE 25. A third zine, also with hand-drawn cover 'rough ideas ...and great works of my times ... a slice of my life' is dated 1984 and produced in Denmark.

Pete's girlfriend Lisa, later to become his wife, contributed drawings to 'poems, thoughts and things'. The text is typed on a manual typewriter. Peter's ode to Elvis Presley 'An American trilogy' is scanned here as visual.

"...UNTIL THE GOOD TIMES ROLL AROUND...YEAH..."





Partly inspired by another British television comedy drama series, this time Auf Weidersehen Pet from 1983 - Peter Butler took Norman Tebbit's advice, got 'on his bike', travelling by ferry to Denmark. In London he'd met a Danish girl and fallen in love. The young woman was named Lisa, forename of Elvis Presley's daughter.

Pete Butler, being Pete Butler, and an Elvis fanatic read into this personal coincidence absolute poetic romanticism. A cosmic gift from the King himself. For Pete, surely it must be the work of Elvis the King? In beat generation take on epic of Gilgamesh, a poet is writing young Brit into new script as likely lad construction worker character, breaking away in self-exile from Margaret Thatcher's UK. Trying his luck in Europe. Divinely guided by a Danish girlfriend with the same name as the King's daughter.

"BUTLER. I MIGHT HAVE GUESSED I'D FIND YOU BEHIND THAT."

Reading Peter Butler in UK workplace Seventies lends representational confusion to On the Buses tv sitcom character Butler. Butler, televisual workplace character, fed ontological factory girl Pete Butler.



In this youtube clip from 1990, Wogan interviews Reg Varney (Stan Butler) and retired cast 20 years on.

As Sir Terry retires from BBC Radio 2 today, the cover to Peter Butler's homemade zine from 1983 is scanned for online beat generation ballads sequence.

'...A WITTY SCIENCE FICTION PARODY...'

Factory girl Peter Butler collected 'The Elvis Presley Story' comic-strip serial in the Daily Mirror between Monday, September 12 and October 21 1977.

Years later he customized photo-copied bookwork from material treated with coloured felt-tip pens.

In storage, glossed ink from Elvis Lives! promotional sheet for 'Elvis Shrugged Graphic Novel - (a witty science fiction parody ...)' has impressed itself on plastic cover to Pete's homemade book.






from beat generation ballads sequence