One by one, demons and monsters from depths of Hell's City of Dis emerge from the underworld of the other.
Opening with hand-drawn lettering, December 1997's "tale from wellerverse" completes 'The Battle for Heaven' (see SO #3 post).
Although continuing for another two years as 'comic book series' with two more seasonal editions, Weller was more engaged with poetry and poetics than comic books and it was beginning to show. Unlike character MJ's creation "Nick Muir", his "Mike Weller" character wasn't a graphic novelist.
Number 4 is mostly dark, dense, electronically-fonted prose punctuated by vivid black and white illustration with introduction of Weller's fantastical "nullimaginative techniques" obscuring and erasing both word-processed and hand-lettered text. Number four rolled nicely off New River Project's photo-copier with Bob Cobbing commenting "the machine likes it".
In 2012 a "nullimaginative" drawing from number 4 was sampled by Mike for Michael Weller's 'Ida Lupino comix'. Both sides of the zine were re-printed from Mike Weller's Space Opera—
A Space Opera fragment alchemized into poetic gold.
Pixellated into almost total illegibility—getting an unreadable piece into a PEN poetry anthology seemed as if one minor battle had been won. Well...er, sort of.
Like Mogilowski's xmas edition in the Thirties, 'The Battle' ends on festive note—
Professor Fergus McQuigly was eating his xmas dinner in the restaurant of Croydon Airport, fork hoisting a sage and onion stuffing ball into his mouth, crumbs dropping into his beard.
Hark, the herald angels sing
note: this post is also testing @HomeBaked's digital blog